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Items tagged with: BelieveInFillm

Reserved for the brave.
From the "If We Vanished in an Instant" series

🧻 Fomaton MG 131 24x30cm in Moersch SE5 + Lith Ω
🎞️ Kentmere 400@800 in Ilford Microphen 1+0
📷 Holga 120GN

#silentSunday
#BelieveInFillm
#FilmPhotography
#120film
#LithPrint
#DarkRoomPrint

A grainy lith print with a warm, sepia-green tonality shows a vast frozen lake stretching toward a distant, low horizon. In the center of the frame stands a solitary chair, placed directly on the ice—small, fragile, and oddly deliberate against the emptiness. The shoreline in the distance forms a dark, uneven band of trees and low structures, softened by the lith process into a hazy silhouette. The sky above is luminous yet heavy, its texture mottled with coarse grain that fades from light to deep shadow toward the edges, creating a natural vignette. The Holga’s character is evident: slight blur, uneven exposure, and a dreamlike softness that dissolves detail into atmosphere. The chair becomes the quiet focal point—a presence without a person, suggesting absence, waiting, or a moment suspended between stillness and disappearance.
#filmphotography #silentsunday #lithprint #darkroomprint #believeinfillm #120film

Something trying to break out.
Selfportrait

🎞️ Kentmere 100
📷 Zeroimage 2000 6x6

#pinhole
#BelieveInFillm
#FilmPhotography
#120film
#selfportrait

A black-and-white pinhole photograph of a rustic wooden building, seen from a low, symmetrical angle. The vertical planks and geometric patterns of the facade create a strong, almost ritualistic structure, leading the eye toward a small window near the center. In the window, a human figure appears ghostlike due to the long exposure. The person’s movement is split into two faint positions: in one, they lean downward out of the window with arms extended wide; in the other, they rise upward inside the frame, arms still spread. The overlapping forms create a blurred, spectral presence, as if the body is dissolving or oscillating between two states. The softness and slight distortion typical of pinhole photography enhance the dreamlike, uncanny atmosphere, turning a simple gesture into something ambiguous—part emergence, part disappearance.
#selfportrait #filmphotography #believeinfillm #120film #pinhole

through the fogged mirror

🎞️ Bergger Pancro 400
📷 Minolta Maxxum 7 | Minolta AF 50mm f/1.4

#BelieveInFillm
#FilmPhotography
#35mm
#reflection
#selfportrait

A blurred self-portrait seen through a fogged mirror. The figure holds a camera up to their face, but their features dissolve into soft shapes and grain. Moisture on the glass diffuses the light, turning the scene into a hazy, almost dreamlike silhouette. The body is partially visible—an arm raised, a dark shirt—but identity slips away, reduced to gesture and presence rather than detail.
#reflection #selfportrait #filmphotography #35mm #believeinfillm

Everything dies, everything fades.
But even there, life quietly begins again.

My mood today is in the style of the band Type O Negative 🖤

🎞️ Bergger Pancro 400
📷 Minolta Maxxum 7 | Minolta AF 50mm f/1.4

#BelieveInFillm
#FilmPhotography
#35mm
#abandoned

A black-and-white photograph of abandoned railway tracks cutting diagonally across a dry, grassy slope. The rails are partially overgrown and weathered, suggesting long disuse. Thin, leafless trees rise between the tracks, their bare branches blending into the textured ground. The scene feels quiet and desolate, with a sense of time slowly reclaiming the man-made structure.
#abandoned #filmphotography #35mm #believeinfillm

Creepy #fensterFreitag #windowFriday

When I saw that scene, I immediately thought of the horror movie *The Ring*

🧻 Fomaton MG 133 5x7 (old batch) in Moersch SE5 + Lith Ω
🎞️ Kodak Tri-X 400@800 in Adox FX-39 II 1+9
📷 Minolta X-700 | Rokkor MD 35-70 f/3.5 Macro

#BelieveInFillm
#FilmPhotography
#35mm
#LithPrint
#DarkRoomPrint

A warm-toned lith print captures a quietly surreal backyard scene. In the foreground, a concrete well ring is covered with a rusted metal lid. Resting on top of it is the upper half of a plastic doll—its pale face and disheveled hair emerging from the surface, one arm draped casually over the edge as if it has paused mid-movement. Behind it, a simple wire fence stretches across the frame, separating the foreground from a modest house wall. A single window with patterned curtains looks outward, while a clothesline cuts diagonally through the composition, held by a few empty clothespins.
#filmphotography #35mm #Fensterfreitag #WindowFriday #lithprint #darkroomprint #believeinfillm

Despite the cold, the trees are trying to bloom

🎞️ Bergger Pancro 400
📷 Minolta Maxxum 7 | Minolta AF 50mm f/1.4

#BelieveInFillm
#FilmPhotography
#35mm

A flowering tree in early bloom stands centered within a rounded stone arch niche, its bare branches dotted with white blossoms. Five folding chairs are arranged beneath it against the back wall. Neatly trimmed hedges and an evergreen shrub frame the foreground, while small wall-mounted lights accent the arch above. Shot on black-and-white film with visible grain.
#filmphotography #35mm #believeinfillm

Well, it’s time to say goodbye to #MonochromeMarch.
Thanks to @StevenLawsonPhotography for the idea and curation, to all the participants for the wonderful photos, and to Gardie for the help, motivation, and artistic direction.

*ZIne permission granted

🎞️ Kodak Tmax 400 (exp. 2012) in HC-110 1+31
📷 Minox 35ML

#BelieveInFillm
#FilmPhotography
#35mm

A worn “STOP” marking painted on wet pavement, scattered with leaves and small debris, split by a faint seam down the center.
#filmphotography #35mm #believeinfillm #monochromemarch @Steven Lawson Photography

Even in spring, the shadows grow faster than leaves

#monochromeMarch
*ZIne permission granted

🎞️ Kodak Tri-X 400@800
📷 Minolta X-700 | Rokkor MD 24mm f/2.8

#BelieveInFillm
#FilmPhotography
#35mm

A small, simple house with a steep, triangular roof stands in a quiet yard. The scene is rendered in high-contrast black and white, emphasizing the rough texture of the walls and the grainy sky. Bare tree branches cast long, intricate shadows across the facade, stretching from the ground up toward a single window near the top. The light is low and directional, creating sharp silhouettes and a slightly eerie atmosphere. Surrounding the house are leafless trees and sparse vegetation, suggesting late winter or early spring.
#filmphotography #35mm #believeinfillm #monochromemarch

#silentSunday
Mass produced (2 + 2)

#monochromeMarch
*zine permission granted

🎞️ Ilford Delta 3200 in Ilford Microphen 1+0
📷 Canon EOS 3 | Canon EF 17-40 L f/4

#BelieveInFillm
#FilmPhotography
#35mm
#Lviv

A grainy black-and-white photograph shows two men sitting side by side on a wooden bench, seen from behind. They both wear dark jackets and slightly hunched postures, facing a quiet courtyard. In front of them stands a row of small, leafless trees, evenly spaced along a narrow strip of ground. Behind the trees rises a plain building facade with tall rectangular windows, some covered with bars. The cobblestone pavement in the foreground adds texture, while the overall mood feels subdued and contemplative, as if the two figures are sharing a silent moment together.
#filmphotography #35mm #silentsunday #lviv #believeinfillm #monochromemarch

Monday blues

🎞️ Bergger Pancro 400 in Ilford Microphen 1+0
📷 Minox 35ML

#BelieveInFillm
#FilmPhotography
#35mm

A grainy black-and-white photograph shows a quiet winter railway crossing covered in fresh snow. A lone person in a hooded jacket is walking along the road as it passes over the tracks, slightly hunched against the cold. Dark striped bollards line the crossing, creating a rhythmic pattern that contrasts with the white surroundings. Railway tracks cut across the scene, while overhead power lines stretch diagonally through the sky. In the background, modest houses and bare trees are softened by the snowfall.
#filmphotography #35mm #believeinfillm

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